A Guide to Naoshima and the Art Islands

Main insights

• Timing of when you visit — you need to be mindful of when you’re visiting and whether it’ll be busy. We spent 3 nights on Naoshima, but visited over a weekend, during school holidays (in Australia, over Easter), also during the Setouchi Triennale. So, it was busy. The islands and surrounds continue to grow in popularity, placing pressure on an otherwise sleepy island that doesn’t quite have the infrastructure to accommodate the high tide of tourists that visit the island on a day trip. This was Tom’s third time visiting the island (first in 2015, second in 2018) and there were noticeable differences — tour groups, crowds, lines, booked out galleries. That being said, our AirBnB hosts explained that outside of the Triennale and peak season, Naoshima is a still sleepy litte island.
  
  
• The island/s are changing — unsurprisingly, it feels like the art islands are changing, illustrating a broader tension about how tourism places pressure on local infrastructure to bend to accommodate growing demand. The contrast between Perma and Chikurin highlights this. Opening in April 2024, Perma is the latest addition to the island’s food offerings. A seat needs to be reserved, ideally, a few weeks in advance and will cost around $100aud each. At Chikurin, there are no reservations and the izakaya only seats 8. Arrive well before 6pm and wait, and, if you’re lucky, you’ll be eating, drinking (and possibly smoking – ‘タバコありますか’) alongside locals. The four of us ate and drank until we were full for the same price as one seat at Perma.  Both restaurants had some of the most enjoyable meals we had in Japan, but show how things are changing. 
  
  
• Booking ahead if possible — if you’re traveling during a busy period, you need to book your tickets for galleries at least two weeks in advance. When we first arrived at Naoshima Port, we overheard a woman, exasperated, exclaim ‘everything I’m here for is booked out’. That was almost our experience too. Booking about 10 days out, in a panic, we snapped up the last tickets available for the Hiroshi Sugimoto gallery and a few others. Note, bikes tend to go quickly too. You also need to line-up for ferries and, if you’re visiting Inujima, be sure to buy ferry tickets before doing anything else.

Naoshima

• Accommodation — unless you’re visiting for only a day, try to stay on the island rather than Uno port. We stayed at Yado House, which we highly recommend. Hosted by Jen and Ono, this home is one of the few remaining AirBNBs that feels like a genuine experience. Jen and Ono bought and renovated the house themselves and make themselves available to ensure you feel at home. Practically, staying on the island means you can sidestep the rush of ferries and sorting out logistics for a few days too. 
  
  
• Coffee — Mikazukishoten (although there are plenty of coffee spots on the island)
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• Food — Chikurin (our favourite), Perma (a second favourite), Onigiri Omusubi (the best onigiri we had in Japan), Naoshima Noodles (a classic), 7-Eleven (lol, but see the notes on Teshima). 



• Getting around — there’s the island bus or Benesse House gallery bus (see here for more information). At peak time, these busses are sometimes full. While you may need to walk as a last resort, when the Triennale was on, staff organised additional busses. It’s incredible fun to rent bikes and hoon around the island for a day. Ougiya Rent-a-Cycle (here) is the best rental. Try to reserve a bike before (they sell out early) and don’t forget your passport. Also, try and get an e-bike – the hills are surprisingly steep in spots, particularly if you approach gallery hopping going anti-clockwise (ie going to Chichu first from the port area).

• Shopping — isn’t really a thing on the island, but the Art Island Centre (run by Andrew, who was lovely) is a terrific small bookshop (here). The Honmura Lounge and Archive both offer books, trinkets, stationary and a few other things that might interest you. 

• Main port — the galleries closer to the main port, including Chichu, Lee Ufan, Benesse House (including the Valley Gallery), Hiroshi Sugimoto, and then
   
• Honmura (other side) — the sites on the other side of the island, including the Art House Projects and Naoshima Plan 2019 ‘The Water’.

• Start early at Benesse — Benesse House opens at 8am. It is worth visiting for exploring Tadao Ando’s architectural masterpiece, yet alone the works inside. Go early and beat crowds that trickle in after arriving on the first ferry. It also doesn’t take a long as you might expect (1.5 hours is enough time to explore, including the outdoor sites and Kusama’s Pumpkin). 

• Valley Gallery — was a standout. Combining Tadao Ando’s architecture with Kusama’s Narcissis Garden is an opportunity to have your cake and eat it too. The official guide explains:

_{Valley Gallery is composed of a small building resembling a shrine and the surrounding outdoor area. Built along the valley, which is considered a boundary or sanctuary, the double-walled interior space is introspective, it is open to the semi-outdoors, allowing visitors to directly feel the movement of natural energy, such as light and wind. The architecture and these works, which reflect the surrounding nature and local history, will resonate with each other and promote a renewed awareness of the richness of nature, symbiosis, and the fundamental spirit of prayer and rebirth.}

• Hiroshi Sugimoto — the Hiroshi Sugimoto Gallery was also, for me, one of the most interesting (and favourite) installations I have ever seen (Tom). It represents Sugimoto’s ‘continuous pursuit to solve the question of time, and his longstanding relationship with Naoshima. [The installation is] intended so that visitors experience the changes in nature and the magnificent flow of time, pondering the history and the meaning of life’. Do go, but also be mindful you must buy a separate ticket (it isn’t included in the Benesse House ticket) and in-take times are deliberately quite limited. 

• Art House Projects — there are a few Art House Projects and they differ in terms of how interesting they are. The artwork in the Ishibashi site, by Senju Hiroshi, is one of the most memorable pieces of work I’ve seen (Tom). The Go’o Shrine and Minamidera sites are also good. Note, while it’s ostensibly one of the Art House Projects, the Minamidera site needs an additional ticket and reservation. Odd, perhaps misleading, but anyway, be sure to buy a separate ticket – it’s undoubtedly the most intense experience on the island.

Teshima

• Teshima Art Museum — really, this is the main reason why everyone visits. Understandably. There is no other gallery or space like it. Try to book an early time so there are less people in the gallery space when you visit. The café’s also a nice spot to sit down for a moment and collect your thoughts. . 
  
  
• Multi-basket — it’s fun. For more information on this, see this article.

Inujima

• Inujima Seirensho Art Museum — has some of the most involved art installations on offer, particularly once you’re underground. 

• Inu Island Botanical Garden of Living — a small, sparse, but beautiful botannical garden and greenhouse. 

• 光と内省のフラワーベンチ — a glass bench. 
  
  
• Inujima Art House Project / F — like on Naoshima, there are a few Art House Projects to explore. This one was our favourite. 
  
  

• Food — there’s not much food on the island. Uki Cafe was the only real option other than the cafe in ticket building.
  

• [Artist name] — the Ticket Centre sells pottery by (artist), which ‘xyz’.
  

• Accessibility — the island is not particularly accessible for those who are unsteady on their feet. In places, you’re walking on cobblestones in the dark or climbing uneven and steep stairs; wear appropriate shoes.